“Lincoln in the Bardo,” won the Man Booker Prize
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12-12-2017, 07:19 PM
Post: #16
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RE: “Lincoln in the Bardo,” won the Man Booker Prize
(12-12-2017 06:02 PM)Susan Higginbotham Wrote:(12-12-2017 03:00 PM)kerry Wrote:(12-12-2017 02:37 PM)Susan Higginbotham Wrote:(12-12-2017 01:35 PM)kerry Wrote:(12-12-2017 12:27 PM)Susan Higginbotham Wrote: [quote='kerry' pid='67883' dateline='1509813168'] Thanks for finding that! The World always published interesting if often negative things - it's too bad most places don't have it in their archives like they do the Herald and Tribune. |
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12-13-2017, 04:47 AM
Post: #17
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RE: “Lincoln in the Bardo,” won the Man Booker Prize
(12-12-2017 11:24 AM)kerry Wrote:(12-12-2017 05:12 AM)RJNorton Wrote:(12-11-2017 09:47 PM)kerry Wrote: I found this on newspapers.com. On 27 March 1862, the Daily Intelligencer reported “Mrs. Edwards, the sister of Mrs. Lincoln, had a narrow escape last week. She visited the Oak Hill Cemetery, in company with some friends, for the purpose of gazing on the lifeless remains of "little 'Willie." While in conversation with Dr. Brown, a few feet from the vault, two Minie musket balls passed within a few inches of her head. They were apparently fired from an encampment over a mile distant.” As embalming was new, it was apparently a thing. What does it mean "he's not really in the Bardo (come to think of it, the title is a bit weird)"? (I don't know any Bardo but the Tunisian museum, so I do fond the title weird.) I think the Victorian era dealt much differently from ours with dead and deceased, and a lot thereof (like photography with corpses) we find near insane today was considered normal or legitimate back then. |
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12-13-2017, 05:10 AM
Post: #18
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RE: “Lincoln in the Bardo,” won the Man Booker Prize
(12-13-2017 04:47 AM)Eva Elisabeth Wrote: I think the Victorian era dealt much differently from ours with dead and deceased, and a lot thereof (like photography with corpses) we find near insane today was considered normal or legitimate back then. I agree, Eva. Photos like this one were much more common back then: |
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12-13-2017, 09:42 AM
(This post was last modified: 12-13-2017 09:43 AM by Susan Higginbotham.)
Post: #19
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RE: “Lincoln in the Bardo,” won the Man Booker Prize
But that's not a postmortem photo, although it is commonly misidentified as one. Posing stands like the one this gentleman is leaning against were used to help living people stay still. Sadly, there is a lot of bad information on the Internet about postmortem photos. Here's some good information:
https://www.atlasobscura.com/articles/vi...hotographs And people still take photos of the dead today. There are volunteers in hospitals who will take photos of stillborn infants for their parents. My family has a photo of my grandfather in his coffin from 1975. |
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12-13-2017, 09:50 AM
Post: #20
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RE: “Lincoln in the Bardo,” won the Man Booker Prize
(12-13-2017 09:42 AM)Susan Higginbotham Wrote: But that's not a postmortem photo, although it is commonly misidentified as one. Posing stands like the one this gentleman is leaning against were used to help living people stay still. Sadly, there is a lot of bad information on the Internet about postmortem photos. Here's some good information: My husband's grandfather had immigrated to America from Russia in the early-1900s. When he passed away in West Virginia in the late-1970s, he was photographed in his coffin and in the surroundings so that the pictures could be sent to family members still in the old country to show that he had been given a fitting funeral. |
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12-13-2017, 10:47 AM
Post: #21
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RE: “Lincoln in the Bardo,” won the Man Booker Prize | |||
12-13-2017, 11:33 AM
Post: #22
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RE: “Lincoln in the Bardo,” won the Man Booker Prize
(12-13-2017 04:47 AM)Eva Elisabeth Wrote:(12-12-2017 11:24 AM)kerry Wrote:(12-12-2017 05:12 AM)RJNorton Wrote:(12-11-2017 09:47 PM)kerry Wrote: I found this on newspapers.com. On 27 March 1862, the Daily Intelligencer reported “Mrs. Edwards, the sister of Mrs. Lincoln, had a narrow escape last week. She visited the Oak Hill Cemetery, in company with some friends, for the purpose of gazing on the lifeless remains of "little 'Willie." While in conversation with Dr. Brown, a few feet from the vault, two Minie musket balls passed within a few inches of her head. They were apparently fired from an encampment over a mile distant.” As embalming was new, it was apparently a thing. The author was inspired by the concept of the bardo, but really it could be referred to as purgatory. The premise is there is this group of stuck souls who can't move on, and when Lincoln comes to the cemetery, they watch and listen to him and kind of meditate on life and death. He is not aware that they are there, and does not think he is in another world. He's just visiting the cemetery. Lincoln himself is not portrayed in any sort of supernatural way. |
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12-13-2017, 02:29 PM
Post: #23
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RE: “Lincoln in the Bardo,” won the Man Booker Prize
Kerry, have you (or any other members) read this novel? I had a vague idea of "bardo" from a college class fifty years ago on comparative religions, so my first thought was, "How is that related to Lincoln?" I then began to read comments and reviews online. It appears that readers either love it or hate it - or are trapped in their own purgatory trying to figure out what the author is attempting to portray.
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12-13-2017, 03:52 PM
Post: #24
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RE: “Lincoln in the Bardo,” won the Man Booker Prize
(12-13-2017 02:29 PM)L Verge Wrote: Kerry, have you (or any other members) read this novel? I had a vague idea of "bardo" from a college class fifty years ago on comparative religions, so my first thought was, "How is that related to Lincoln?" I then began to read comments and reviews online. It appears that readers either love it or hate it - or are trapped in their own purgatory trying to figure out what the author is attempting to portray. Yes, I read it and loved it. That being said, I totally get the love it/hate it dynamic. It's not set up in a normal way - personally, since I've been doing a lot of Civil War reading, I now find it easier to read snippets of nonfiction than fiction. So it wasn't jarring to me. Some people absolutely hate reading something that doesn't "flow" like fiction. It takes a bit to get used to, and I suppose you have to connect to the ideas underlying it - it is primarily about empathy and awareness, and not everyone is into that. The Atlantic complained about its lack of character development. There is virtually *no* character development, nor is there intended to be any, except Lincoln's feelings around the war evolving. The characters are stand ins for you to kind of connect to people you've known -- it's trying to give you a sense of the gamut of humanity. When I tutor critical reading I often use the song Piano Man as an example - Paul and Davy are not developed characters you are supposed to know all about, they are there to stand in for people who are lonely and stuck, a brief reference that kind of says it all. The characters in the book are like that. The first chapter is also not very good, but it gets a lot better. It's also written rather stream-of-consciousness, basically imitating how people think rather than speak - it jumps around, but I didn't find it hard to follow. It's hard to explain, but it really has nothing to do with Tibetan Buddhism. That concept is just borrowed - you could substitute the word purgatory. It's more science fiction than religious. It also requires some literary analysis, which is not usually my thing, but in this book the symbolism and points really resonated with me and it wasn't hard to see what he was getting at. Some people may miss all of it. I definitely recommend it, though. I would love to teach a class on it. |
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