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07-18-2013, 03:11 PM,
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ReignetteC
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Posts: 297
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RE: Mr. Lincoln's Coat
I hope you are wrong, too, Jim.
As you noted, the original Brooks Brothers' greatcoat is currently not on display; consequently the "coat" that will be removed is a replica - provided by Brooks Brothers in 1990. The original coat has not been on display since 2011, and I am not sure if it will ever return for public viewing.
When I researched the records at Ford's Theatre a few months ago, I read a report prepared by a textile conservation service regarding the coat. The recommendation, in the report, is as follows:
"The coat is extremely fragile. The coat needs to be retired permanently from any display. This extraordinary and unique artifact needs to be preserved because it is a seminal part of the American story. It is an ‘endangered species’ - no more of its kind exist. It exists today because of previous responsible ownership and respect for the object and its legacy. It is part of America’s publicly held cultural property, and the current museum policy of annual extended display is both irresponsible and short sighted."
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07-18-2013, 04:15 PM,
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Jim Garrett
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Posts: 1,374
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RE: Mr. Lincoln's Coat
There are so many issues regarding conservation, preservation, etc. My own personal belief is that there is a great responsibility to conserve and protect a relic of great historic value, such as the coat or pillow. But I also feel that, taking the utmost care, these relics should be shared, at the least, on a limited basis.
There should be a rotation to bring items out of storage, even if it's just for a very brief period. That would allow for an updated inspection, and re-evaluation of display and storage techniques.
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07-18-2013, 04:54 PM,
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L Verge
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Posts: 9,092
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RE: Mr. Lincoln's Coat
Of course, in the museum field, it is drilled into your head that all things should be properly conserved/preserved. In the case of fabrics, especially, every touch can do damage. As long as fabrics or objects are in good condition and can withstand public display, I would agree with Jim. However, there comes a point where something as valuable as this coat (BECAUSE it is unique to even Lincoln's history - i.e. not just any coat that he wore) deserves a rest.
There are many times when I get the impression that the average museum visitor wants an idea of what the coat looked like when Lincoln wore it -- not what it looks like today. Here at Surratt House, they have certainly been more impressed with the reproduction outfits that our guides always wear than with some aged originals that we have periodically displayed. One has to be a devotee of historical artifacts and clothing to truly get the thrill of seeing an original item. That's just my opinion...
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07-21-2013, 08:23 PM,
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wsanto
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Posts: 285
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RE: Mr. Lincoln's Coat
That coat floored me when I saw it in the old Ford's Theatre museum. If my memory serves--It was on display in the middle of the room in a tall glass box and you could walk around it 360 degrees.
I understand that the coat is fragile but it would be a real shame if it is permanantly locked away in storage for no one to see. I don't understand its value if not for the world to see. That would be like removing the Mona Lisa from public viewing for all time. It doesn't make any sense to me.
((( | '€ :} |###] -- }: {/ ]
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07-22-2013, 04:46 PM,
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ReignetteC
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Posts: 297
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RE: Mr. Lincoln's Coat
URL=http://imageshack.us/photo/my-images/33/ywm2.jpg/] ![[Image: ywm2.jpg]](http://img33.imageshack.us/img33/7269/ywm2.jpg) [/URL]
Uploaded with ImageShack.us
This picture of the Brooks Brothers greatcoat is courtesy of photographer Carol M. Highsmith.
Credit line: Carol M. Highsmith's America, Library of
Congress, Prints and Photographs Division.
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07-24-2013, 09:41 PM,
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ReignetteC
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RE: Mr. Lincoln's Coat
(07-23-2013, 10:45 AM)L Verge Wrote: Out of curiosity, is there any record as to how many hours of hand labor were required to do that quilting?
Very good question, Laurie, and I am glad to provide the answer.
In 1918, on the occasion of Brooks Brothers' centenary, a former seamstress, who described herself as "over seventy years young" informed the clothier that it was she who "had the honor of quilting the linings" of the overcoat [greatcoat] that was made for President Lincoln's second inauguration. "It took me two days of steady work," she said, "not eight hours but ten to complete it, and Brooks Brothers paid me eight dollars for it."
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