Removing Confederate Generals portraits?

[Rob Wick]

Can someone tell me, without using the meaningless buzzword "political correctness" exactly why i should care? Read this from Major General Tony Cucolo, Commandant of the US Army War College:

Here is what happened: a few weeks ago, while relocating his office to a new floor in our main school building over the weekend, one of my leaders looked outside his new office location and simply decided to change the look of the hallway. He took down, off the wall, a number of framed Civil War prints that depicted Confederate States of America forces in action against Union forces or depicted famous Confederate leaders. He did this on his own. There was no directive to “remove all traces of the CSA.” Since this is a public hallway with seminar rooms and offices, the sudden new look drew attention the following week. And since there was no public explanation of my leader’s action, some of my folks jumped to conclusions, even to the point of sending anonymous notes to local media. We have since attempted to clarify the action within our own ranks.

If it matters to any of you, you could walk into this building today, and see ornately framed paintings and even a few prints similar to the ones that came down off that hallway wall of Confederate forces and leaders mixed in an among countless other paintings and prints of the Army (and the other services) in action from the Revolutionary War through the current fight in Afghanistan. I must admit, there are in fact a large number of Civil War paintings, depicting both North and South. I can only assume one of the reasons there are so many is that we are barely 30 minutes from Gettysburg, home to many renowned artists, a few of whom have been commissioned by US Army War College classes of the past to capture some iconic scene of that conflict.

Finally, and with ironic timing, I also must tell you that I am in the midst of planning a more meaningful approach to the imagery and artwork that currently adorn the public areas on the three primary floors of The War College. There will be change: over the years very fine artwork has been hung with care – but little rationale or overall purpose. Just today, I left the “George S. Patton Jr. Room”, walked by the “Peyton March Room” and nearby hung a picture of a sharp fight in Iraq, 2003, right next to a Civil War print, which was near a series of prints honoring Army Engineers, and a few feet further hung a painting of the Battle of Cowpens. We can do better; we’d like our students, staff, and faculty to walk through a historical narrative that sends a message of service, valor, sacrifice, and courageous leadership at the strategic level.

But I will also approach our historical narrative with keen awareness and adherence to the seriousness of several things: accurate capture of US military history, good, bad and ugly; a Soldier’s life of selfless service to our Nation; and our collective solemn oath to defend the Constitution of the United States (not a person or a symbol, but a body of ideals). Those are the things I will be looking to reinforce with any changes to the artwork.

Best
Rob