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Removal of Confederate Monuments - Printable Version

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RE: Removal of Confederate Monuments - David Lockmiller - 12-21-2023 02:39 PM

On December 14, 1898 — four days after the Spanish-American War ended — President William McKinley kicked off his “Peace Jubilee” nationwide tour with a speech in Atlanta in which he proclaimed, “in the spirit of fraternity we should share with you in the care of the graves of Confederate soldiers…. Sectional feeling no longer holds back the love we feel for each other. The old flag again waves over us in peace with new glories.”

The United Confederate Veterans (UCV) identified Confederate graves around the Washington, D.C. area and successfully petitioned the government to have those remains transferred to Arlington. On June 6, 1900, Congress appropriated $2,500 for the removal and reinterment of Confederate remains. By 1902, 262 Confederate bodies were interred in a specially designated section, Section 16.

Notably, this “spirit of fraternity” did not include African Americans. In 1871, a group of black soldiers had petitioned the War Department to relocate the graves of hundreds of United States Colored Troops (USCT) from the “Lower Cemetery,” where they were buried alongside former slaves and poor whites, to the main cemetery near Arlington House, where white Civil War veterans lay at rest. The War Department denied the petition. Arlington National Cemetery would remain segregated until 1948, when President Harry S. Truman desegregated the armed forces by executive order.

In 1906, with Secretary of War William Howard Taft’s approval, the United Daughters of the Confederacy (a hereditary organization of Southern women) began raising funds to erect a memorial in the Confederate section.

Unveiled in 1914, the Confederate Memorial was designed by noted American sculptor Moses Jacob Ezekiel, a Confederate veteran and the first Jewish graduate of Virginia Military Institute. The elaborately designed monument offers a nostalgic, mythologized vision of the Confederacy, including highly sanitized depictions of slavery. Standing on a 32-foot-tall pedestal, a bronze, classical female figure, crowned with olive leaves, represents the American South. She holds a laurel wreath, a plow stock and a pruning hook, with a Biblical inscription at her feet: "They have beat their swords into plough-shares and their spears into pruning hooks."

An inscription of the Latin phrase “Victrix causa diis placuit sed victa Caton” (“The victorious cause was pleasing to the gods, but the lost cause to Cato”) construes the South’s secession as a noble “Lost Cause.”

Not For Fame Or Reward
Not For Place Or For Rank
Not Lured By Ambition
Or Goaded By Necessity
But In Simple
Obedience To Duty
As They Understood It
These Men Suffered All
Sacrificed All
Dared All -- And Died

by Randolph Harrison McKim

Arlington National Cemetery - Confederate Memorial